(De)Constructing Jazz through its performers, repertoire, and musical process: a comparison between Herbie Hancock’s boundary-defying albums Possibilities and River: The Joni Letters

Ricardo N. Futre Pinheiro; Alexandre H. de Souza Diniz

(De)Constructing Jazz through its performers, repertoire, and musical process: a comparison between Herbie Hancock’s boundary-defying albums Possibilities and River: The Joni Letters

Egileak

Ricardo N. Futre Pinheiro
Alexandre H. de Souza Diniz

Gako-hitzak:

Jazza, popa, errepertorioa, Herbie Hancock, Possibilities, Joni Mitchell, musika-prozesua, musika-industria, grabazio musikalak, musika herrikoia, performance

Laburpena

Jazz kontzeptua eraikitzearen arazoari heltzea du oinarrizko helburu artikulu honek, horretarako Possibilities (2005) eta River: The Joni Letters (2007) albumak alderatzen dituelarik. Kritikariek River orohar 'jazz album'tzat duten bitartean, Possibilities albumaren kasuan berezko dituen ezaugarriek adostasunik gabeko eremuan jartzen dute.