Performance Strategies in Milt Jackson’s improvisations reconsidered

Abstract

In this article I examine a selection of Milt Jackson’s improvisations and identify performance strategies that were widely used by the vibraphonist. Following the recognition and categorisation of stylistic devices including patterns, enclosures, and chromatic embellishments, I explore ways in which some of Jackson’s performance strategies are reflective of the 1940s modernist jazz style and can be traced back to Charlie Parker and other like-minded musicians.