Contactos tempranos entre jazz y flamenco en España. Una perspectiva analítica de la serie Jazz-Flamenco de Pedro Iturralde y Paco de Lucía (1967-1968)

Abstract

In recent years, a conceptualization of jazz-flamenco has taken place as a mutual enrichment of the vocabulary of musicians from both genres, both in theoretical and in practical terms. This article discusses one of its earliest manifestations, which was developed by Pedro Iturralde and Paco de Lucía in 1967-1968 over the three records drawn from the meeting of jazz and flamenco.